Clocking options include internal or external via SPDIF/AES input. Digital audio I/O is comprised of AES and SPDIF inputs and outputs. Outputs 3 and 4 are designed for unity gain applications such as “the four cable method” or dual stereo inserts and can also be used as general-purpose outputs. Output 2 features a second set of XLR jacks and outputs 3 and 4 each offer a pair of Humbuster™ 1/4” jacks. The front input features our Auto-Z technology which simulates the input impedance and subsequent pickup loading of typical stomp boxes.Īn additional six analog inputs are available: one pair of balanced XLR/1/4″ combo-jacks plus two pairs of balanced 1/4″ inputs.Īnalog output capabilities are similarly impressive with four fully independent stereo pairs: Output 1 features both XLR and 1/4” jacks for connection to FOH, monitors or other line level devices. Unplug and you’re back to jumping around on stage with your wireless. Connect your wireless to the rear input and then plug into the front input to tune (using the new tuner display) or make quick adjustments. Remove the plug and the unit switches to the rear input. Inserting a plug into the front input jack automatically switches the unit to front input operation. The Axe-Fx III features two instrument inputs: one on the front and one on the back with auto-switching capability. Vastly expanded input and output resources provide for ultimate flexibility. The standard DSP module runs at 2×1.0 GHz. *2×1.25 GHz is the speed of the optional Turbo DSP module. The stunning color display is controlled by a dedicated graphics processor while USB traffic and user interface tasks are handled by a 500 MHz, 16-core microcontroller providing smooth operation and robust USB performance. To feed these advanced processors we coupled 4Gb of blazing fast PC1600 DDR3 memory, hundreds of Mb of FLASH memory, a proprietary FPGA and a rich set of peripherals. These processors are the most powerful DSPs available delivering over twice the performance of the DSPs used in our previous generation products. Two 1.25 GHz, floating-point “Keystone” Digital Signal Processors (DSPs) comprise the main audio engine*. Continuing the legacy of this philosophy the Axe-Fx III harnesses the power of no fewer than four separate processors. The Axe-Fx II expanded on this concept by putting two of those same DSPs to work. Leveraging the power of this DSP allowed detail and realism that no other product had previously achieved. Categories of Audio OutputĪudio outputs are classified into two distinct categories:Īs their name implies, the analog audio output transmits analog audio signal while the digital audio output transmits digital audio signal to the audio receiver/amplifier.The original Axe-Fx upended the industry by being the first device for musicians to put a military/industrial-grade DSP into a consumer product. Despite being the OG of audio output, it is not wise to assume that all modern TV will have them. Knowing the right audio output compatibility will also help reduce unnecessary stress of having to deal with dongle hell (buying multiple converters/adapters to get the audio connection to work).įor example, you might have a Radio Frequency (RF) transmitter that requires analog output in order to output sound to the RF headphones. Each type of audio output has its own benefits and quirks. The ability to recognize and understand the different types of audio output is important, especially if you care about sound quality. You might be interested: How to connect wireless headphones to your TV? Why you should understand your audio outputs?
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |